Thursday, February 3, 2011

DSLRs compared to other digital cameras

Fixed-lens cameras

Non-SLR digital cameras generally fall into two types: compact digicams, and SLR-like bridge digital cameras (also known as advanced digital cameras) which offer larger zoom ranges, better optics, and more manual controls. Both types have permanently fixed lenses. While the only defining feature of an SLR is its reflex viewfinder system, extant digital SLR models generally offer the following advantages over fixed-lens cameras of the same generation:
  • Choice of interchangeable[35] (and often higher-quality) lenses.
  • Image sensors of much larger size and often higher quality, offering lower noise,[36] which is useful in low light, and greater dynamic range.[37]
  • Optical viewfinders which tend to be more comfortable and efficient, especially for action photography and in low-light conditions.
  • DSLRs often offer faster and more responsive performance, with less shutter lag, faster autofocus systems, and faster frame rates.[38]
  • The larger focal length for the same field of view allows creative use of depth of field effects.[39]
  • Ability to attach additional accessories[40] including hot shoe-mounted flash units, battery grips for additional power and hand positions, external light meters, and remote controls
There are also certain drawbacks to current DSLR designs, when compared to common fixed-lens digital cameras:

SLR-like cameras – "bridge cameras"

The "SLR-like" or "advanced" digicams offer a non-optical electronic through-the-lens (TTL) view through the focusing lens, via the eye-level electronic viewfinder (EVF) as well as the rear LCD. The difference in views compared to a DSLR is that the EVF shows a digitally-created TTL image, whereas the viewfinder in a DSLR shows an actual optical TTL image via the reflex viewing system. An EVF image has lag time (that is, it reacts with a delay to view changes and has a lower resolution than an optical viewfinder) but achieves parallax-free viewing using less bulk and mechanical complexity than a DSLR with its reflex viewing system.
Bridge digital cameras with their fixed lenses aren't usually subject to dust from outside the camera settling on the sensor. However having fixed lenses they are limited to the focal lengths they are manufactured with, except for what is available from attachments. Manufacturers have attempted (with increasing success) to overcome this disadvantage by offering extreme ranges of focal length on models known as superzooms, some of which offer far longer focal lengths than readily available DSLR lenses.
Current designs are limited by increasingly high pixel pitches, which limit their dynamic range and also call for increasingly higher quality lens designs. Exceptions to this trend are the Sigma DP1 with its 20.7×13.8 mm sensor and the Sony DSC-R1[45] with a 21.5×14.4  mm sensor.

Digicams (compact "point-and-shoot" digital cameras)

Digicams, commonly referred to as "point-and-shoot" cameras because of their ease of use, can usually be operated at arm's length using only the LCD at the rear of the camera. Some models also have simple optical viewfinders like traditional compact 35 mm film cameras. Like the SLR-like bridge cameras, most digicams lack the ability to accept interchangeable lenses, with the exception of certain digital rangefinder cameras such as the Leica M8 and the Epson RD-1, which use the Leica M-mount lens system.
Most digicams are manufactured with a zoom lens that covers the most commonly used fields of view, with "super-zoom" models becoming more popular. Digicam lenses can be adapted to telephoto or wide-angle as the above-mentioned "bridge-cameras."
Digicams were once significantly slower in image capture (time measured from pressing the shutter release to the writing of the digital image to the storage medium) than DSLR cameras, but this situation is changing with the introduction of faster capture memory cards and faster in-camera processing chips. Currently, however, these cameras present a significant disadvantage for action, wildlife, sports and other photography requiring a high burst rate (frames per second).

SLR-like interchangeable lens digital cameras

In late 2008, the Micro Four Thirds system became the latest camera system to compete with DSLRs. The new system shares the same sensor size as the original Four Thirds System, but does not use a mirror system and is therefore able to reduce the focal-distance between the lens and sensor. Micro Four Thirds cameras substitute an electronic viewfinder with the same eye level relief, mimicking the viewfinder operation of DSLRs. All four thirds cameras also feature a rear LCD-screen, which serves as both a live-preview and playback monitor. Panasonic released the first Micro Four Thirds camera, the Lumix DMC-G1, and later released the Lumix DMC-GH1, which added a Full-HD movie-mode (1080, 24p). Several manufacturers have announced lenses for the new Micro Four Thirds mount, while older Four Thirds lenses can be mounted with an adapter (a mechanical spacer with front and rear electrical connectors and its own internal firmware).
A similar mirror-less interchangeable lens camera, but with an APS-C-sized sensor, was announced in January 2010: the Samsung NX10.

A handful of rangefinder cameras support interchangeable lenses. Three digital rangefinders exist, they are the Epson R-D1 (APS-C-sized sensor), the Leica M8 (APS-H-sized sensor), both smaller than 35 mm film rangefinder cameras, and the Leica M9, which is a full-frame camera.
 Digi Camera

DSLR

The history of DSLR

On August 25, 1981 Sony unveiled a prototype of the first still video camera, the Sony Mavica. This camera was an analog electronic camera that featured interchangeable lenses and a SLR viewfinder.
At Photokina in 1986, Nikon revealed a prototype analog electronic still SLR camera, the Nikon SVC, a precursor to the digital SLR.[25] The prototype body shared many features with the N8008.[25]

In 1991, Kodak released the first commercially available digital SLR, the Kodak DCS-100. It consisted of a modified Nikon F3 SLR body, modified drive unit, and an external storage unit connected via cable. The 1.3 megapixel camera cost approximately US$30,000. This was followed by the Kodak DCS-200 with integrated storage.[26]

Over the next decade, DSLRs have been released by various companies, including Canon, Nikon, Kodak, Pentax, Olympus, Panasonic, Samsung, Minolta (later Konica Minolta, and whose camera assets were then acquired by Sony), Fujifilm, and Sigma, with higher resolutions and lower prices.
In 1999, Nikon announced the Nikon D1, the first DSLR to truly compete with, and begin to replace, film cameras in the professional photojournalism and sports photography fields. This camera was able to use current autofocus Nikkor lenses available at that time for the Nikon film series cameras, and was also able to utilize the older Nikon and similar, independent mount lenses designed for those cameras. A combination of price, speed, and image quality was the beginning of the end of 35 mm film for these markets.
In January 2000, Fujifilm announced the FinePix S1 Pro, the first DSLR marketed to non-professionals.
In November 2001, Canon released its 4.1 megapixel EOS-1D, the brand's first professional digital body.
In 2003, Canon introduced the 6.3 megapixel EOS 300D SLR camera (known in the United States as the Digital Rebel and in Japan as the Kiss Digital) with an MSRP of US$999, directed at the consumer market. Its popularity encouraged other manufacturers to produce affordable digital SLR cameras, lowering entry costs and allowing more amateur photographers to purchase DSLRs.

In 2004 Konica Minolta released Konica Minolta Maxxum 7D, first DSLR with in-body image stabilization[27] which later on become standard in Pentax, Olympus and Sony Alpha cameras.
In early 2009 Nikon released D90, first DSLR to feature video recording. Since then all major companies offer cameras with this functionality.

In September 2009 Sony released first sub-2000 USD full frame DSLR, the Sony Alpha 850, creating first accessible full frame camera for amateur photographers.

Since then the number of megapixels in imaging sensors have increased steadily, with most companies focusing on, high ISO performance, speed of focus, higher frame rates, the elimination of digital 'noise' produced by the imaging sensor, and price reductions to lure new customers.

These are some pictures taken by using Canon 550D (my beloved camera)








DSLR film-look (Canon EOS 550D/Rebel T2i)

Beautiful pictures taken by using DSLR

 'Rita La Bam'

 'Paris Paris in Las Vegas Black & White' by Werner Kunz on Flickr

 'Eva: Tiny Thoughts' by Josh Liba on Flickr

'Praça da Sé' by Antonio Carlos Castejon on Flickr

Canon 550D Specification

Type   
Type Digital, single-lens reflex, AF / AE camera
Recording medium SD, SDHC and SDXC card
Compatible lenses Canon EF lenses (including EF-S lenses)
Lens Mount Canon EF mount
Image Sensor   
Type CMOS sensor
Effective Pixels Approx. 18.00 megapixels
Image Sensor Size 22.3 x 14.9mm
Aspect ratio 3:2
Dust deletion feature Auto, Manual, Dust Delete Data appending
Recording System   
Recording format Design rule for Camera File System 2.0
Image type JPEG, RAW (14-bit Canon original)
RAW + JPEG simultaneous recording possible
MOV
Recording pixels Large: Approx. 17.90 megapixels (5184 x 3456)
Medium: Approx. 8.00 megapixels (3456 x 2304)
Small: Approx. 4.50 megapixels (2592 x 1728)
RAW: Approx. 17.90 megapixels (5184 x 3456)
File numbering Consecutive numbering, auto reset and manual reset
Imaging Processor   
Picture Style Standard, Portrait, Landscape, Neutral, Faithful, Monochrome, User Def. 1-3
White Balance Auto (AWB), daylight, shade, cloudy, tungsten, light, white fluorescent light, flash, custom (custom WB)
Noise Reduction Applicable to long exposures and high ISO speed shots
Automatic Image Brightness Correction Auto Lighting Optimizer with Face Detection
Highlight Tone Priority Provided
Lens Peripheral Illumination Correction Provided
Colour Space sRGB, Adobe RGB
Appending copyright information Copyright information entered with the camera is appended to the image EXIF information
Viewfinder   
Type Eye-level pentamirror
Coverage Vertical / Horizontal approx. 95%
Magnification Approx. 0.87x (-1m -1 with 50mm lens at infinity)
Eyepoint Approx. 19mm (From eyepiece lens center at -1m-1)
Built-in dioptric adjustment -3.0 - +1.0m -1dpt
Focusing screen Fixed
Mirror Quick-return type
Depth-of-field preview Enabled with depth-of-field preview button
Autofocus   
Type TTL secondary image-registration, phase detection
AF Points 9
AF Working Range EV -0.5 - 18 (at 23°C / 73°F, ISO 100)
Focusing Modes Autofocus, One-Shot AF, AI Servo AF, AI Focus AF, Manual focusing
AF-assist beam Intermittent firing of built-in flash
Effective range: Approx. 4.0m / 13.1ft. at center, approx. 3.5m / 11.5ft. at periphery (with an EOS-dedicated Speedlite attached, the Speedlite’s AF-assist beam is emitted instead)
Predictive AF performance Tracking of an object moving towards the camera at 50km/h possible up to a minimum distance of approx. 10m
* When used with EF300mm F2.8L IS USM
Exposure Control   
Metering Modes TTL full aperture metering with 63-zone SPC
(1) Evaluative metering (linkable to all AF points)
(2) Partial metering (approx. 9% of viewfinder at center)
(3) Spot metering (center, approx. 4% viewfinder)
(4) Center-weighted average metering
Metering range EV 1 - 20 (at 23°C / 73°F with EF50mm f/1.4 lens, ISO 100)
Exposure control Program AE, shutter-priority AE, aperture-priority AE, depth-of-field AE, full auto (Program AE non-shiftable), Programmed Image Control Modes (Portrait, Landscape, Close-up, Sports, Night Portrait, Flash OFF), manual exposure (including bulb), E-TTL II autoflash program AE (evaluative & average metering)
ISO Speed (Recommended exposure index) ISO 100 - 6400 (whole-stop increments), ISO expansion 12800.
* In Basic Zone modes, Auto ISO sets the ISO automatically within 100 - 3200
* The minimum ISO speed when (highlight tone priority) is enabled will be ISO 200
* In Creative Zones, ISO Auto’s upper limit (ISO 400 - 6400) can be set
Exposure compensation +/-5 stops in 1/3-stop or ½ stop increments, +/- 2 stops for Manual and AEB correction
AE lock Auto: Applied in One-Shot AF mode with evaluative metering when focus is achieved
Manual: By AE lock button
Shutter   
Type Electronically-controlled, focal-plane shutter
Shutter Speeds 1/4000sec. to 30secs., bulb (Total shutter speed range. Available range varies by shooting mode.)
X-sync at 1/200sec.
Drive System   
Drive modes Single, continuous, Self-time 10secs. Delay / Remote control, self-timer 2secs. delay, Self-timer 10secs. delay + continuous shooting (2 to 10 shots)
Continuous shooting speed Max. approx. 3.7 shots/sec.
Max. burst JPEG Large / Fine: Approx. 34 shots
RAW: Approx. 6 shots
Built in Flash   
Type Auto pop-up, retractable, built-in flash in the pentamirror
Guide No. 13 / 43 (at ISO 100 meters / feet)
Recycle time Approx. 3secs.
Flash coverage 17mm focal length (equivalent to 27mm in 135 format)
Flash metering system E-TTL II autoflash (evaluative, average), FE lock
Live View Functions   
Shooting modes Still photo shooting and movie shooting
Focusing Quick mode (Phase-difference detection) Live mode, Live face detection mode (Contrast detection) Manual focusing (5x / 10x magnification possible)
Metering modes Evaluating metering with the image sensor (still photos) / AF point-link evaluative metering Live face detection mode (movies) / Center-weighted average metering Live / quick mode (movies)
Metering range EV 0 - 20 (at 23°C / 73°F with EF50mm f/1.4 lens, ISO 100)
Movie MOV (Video: H.264, Audio: Linear PCM)
Recording size: 1920 x 1080: 24fps / 25fps / 30fps (Full HD), 1280 x 720:50fps / 60fps and 640 x 480:50fps / 60fps (SD / movie crop)
Max file size: 4GB per clip
Movie recording exposure control Program AE and Manual exposure available.
Exposure compensation of up to +/- 3 stops available.
Movie editing Cutting out first or last scene (1sec. Increments) and Movie crop possible
LCD Monitor   
Type TFT colour liquid-crystal monitor
Monitor Size and Dots Wide 3in. (3:2) with approx. 1, 040,000 dots
Coverage Approx. 100%
Brightness adjustment Manual (7 levels)
Interface languages 25
Image Playback   
Image Display Formats Single, Single + Info (Image-recording quality, shooting information, histogram) 4-image index, 9-image index, image rotate possible
Zoom Magnification Approx. 1.5x - 10x
Image Browsing Methods Single image, jump by 10 or 100 images, jump by screen, by shooting date, by movie, by stills
Highlight Alert Overexposed highlights blink
Movie Playback Enabled (LCD monitor, video / audio OUT, HDMI OUT – CEC compatible) Built-in speaker
Direct Printing   
Compatible printers PictBridge-compatible printers
Printable images JPEG and RAW images
Print Ordering DPOF Version 1.1 compatible
Interface   
Digital Terminal For personal computer communication and direct printing (Hi-Speed USB) , audio (stereo) / video output (NTSC / PAL)
HDMI Mini OUT Terminal Type C (auto switching of resolution)
External microphone IN terminal 3.5mm dia. Stereo mini jack
Remote Control Terminal Compatible with remote control via RS-60E3
Wireless Remote Control With Remote Controller RC-1 / RC-5 / RC-6
Eye-fi card Compatible
Power Source   
Battery Battery Pack LP-E8 (Qty.1)
* AC power can be supplied via AC Adapter Kit ACK-E8
* With Battery Grip BG-E8 attached, 6 size-AA / LR6 batteries or 2 LP-E8 battery packs can be used
Battery Life (Based on CIPA testing standards) With viewfinder shooting: At 23°C / 73°F, approx. 550 shots.
At 0°C / 32°F, approx. 470 shots.
With Live View shooting: At 23°C / 73°F, approx. 200 shots.
At 0°C / 32°F, approx. 170 shots.
Dimensions and Weight   
Dimensions (W x H x D) 128.8 x 97.5 x 75.3mm / 5.1 x 3.8 x 3.0in.
Weight Approx. 475g / 16.8oz. (body only)
Operating Environment   
Working temperature range 0°C - 40°C / 32°F - 104°F
Working humidity 85% or less

Features : Canon 550 D

Superb Imaging Performance
18 megapixels APS-C sized CMOS sensor for high resolution images of superb quality and details
DIGIC 4 Imaging Processor’s 14-bit A/D conversion gives rapid processing speeds while maintaining fine detail and accurate colour reproduction
Auto Lighting Optimizer function with 4 settings (Standard, low, strong and disable) - Analyzes the brightness of the photographic subject, and automatically corrects the dark parts to make them brighter.
 
Lens Peripheral Illumination Correction setting to automatically even the brightness across the image
Full HD Video capture at 1920 x 1080 resolution with flexible frame rates (30p, 25p &24p) for up to 4GB per clip with HDMI output (CEC compliant) for HD viewing of stills and video
 
External microphone terminal provided for recording sound via an external microphone
SD quality (640 x 480) movie recording equivalent of about 7x magnification of regular movie shooting
 

Quick response for stress-free shooting
3.7fps continuous shooting speed, up to a maximum burst of 34 shots.
 
Fast 0.1sec. startup time (CIPA specification standard)
Shooting from the LCD monitor allows easy verification of focus, composition and exposure.
Silent shooting mode for quiet environments
Enhanced live view focusing methods, including Quick mode, Live mode and Face detection mode.